About Loni Sullivan

Loni Sullivan is a fiction writer, Army veteran, tiny-wildlife photographer, fluid artist, storyteller, and collector of fictional bodies. The bodies aren't real, of course. The mysteries surrounding them have a habit of becoming his problem anyway.

Loni Sullivan is my nom de plume, a small act of literary mischief with a sentimental heart. My mother, who died when I was thirteen, had a habit of writing “Loni” on the backs of my childhood photographs. Decades later, I’ve stolen that name for myself—not that she can object—and put it to work creating mysteries and generally making trouble on paper. It’s my way of bringing her along for the adventure, one story at a time.

Loni is drawn to small towns, peculiar people, Gothic houses, unsettling folklore, and places where something feels slightly off. Loni writes mysteries, thrillers, horror, and psychological suspense. His stories are populated by complicated characters, secrets that refuse to stay buried, and ordinary places that probably shouldn't be visited after dark.

Loni lives in Arden, Delaware, an actual single-tax arts colony, which he has, without apparent remorse, turned into the setting of a murder mystery series. The neighbors have been very understanding. So far.

When he isn't writing, Loni can be found photographing wildlife small enough to escape notice, exploring the mysteries of the natural world, haunting used book barns and independent bookstores, creating fluid art, or adding yet another idea to a collection of novel outlines that has long since escaped reasonable supervision. He has enough stories in development to keep him busy for years, which is fortunate, because apparently his imagination has never learned the meaning of "enough".

Silhouette of a winding mountain path surrounded by trees with a crescent moon and stars in the night sky, captioned "Journeys. Twists. Stories that take you further."

His outline folder currently contains, among other things, the uncanny town of Gravity, Maine, with its mysterious “hum,” four women solving a string of Hawthorne-inspired murders in Salem, Massachusetts; the small town of Atherton, Vermont, hiding speculative secrets; and an Irish lane of five old houses with a haunting that keeps them indoors at night. The folder escaped reasonable supervision years ago. He has given up trying to recapture it.

A fan of mysteries, folklore, haunted places, and stories that leave a few questions lingering after the final page.

Loni believes the world is far more interesting when you look a little closer, preferably before something looks back

Artistry through Fluidity.

A framed watercolor painting of a sunset over mountains with a sky in shades of blue, green, and orange. To the right of the frame, there is a label with details about the artwork.

At 20, I enlisted in the Army. Military life afforded me exciting views of nature I hadn’t seen before. Scenes like:

  • Desert grasslands in Texas.

  • The mountainous terrain in Washington.

  • Rocky coastal terrain in Guantanamo Bay.

  • Flat coastal plains in Belgium.

  • Forested hills of Germany.

  • Farmland and open country of the Midwest.

  • And various other places the military transported me to.

Inspiration for my work has come from the details and moments of everyday life – favorite hiking trails, trips to the shore, lichen-covered fences, flowers, classic movies...

I may begin a painting with an idea of the direction I want to take, but I have found that fluid painting is more of a dialogue between the artist and the work. Fluid paintings are a playground of visual delights. In Fluid Art, worlds of color and contemplation come to life. I don’t force my preconceived notions of what it should look like; I just go with the flow.

Above all, with whatever I create, I seek to impart a sense of vitality and joy, a celebration of the most significant art of all – the art of a happy, well-lived life.